#FREE FALSE COLOR PLUGIN 3 FREE#

Here is a snapshot the result, using the same Canon LUT in Adobe Premiere with minor adjustments: Exposing with the IWLTBAP free false color LUT The best exposure is the 50% IRE for the gray card, but if you want to expose to the left or the right, go ahead and push it to 60% or 40%, but avoid going to crazy. Here is a chart to understand which shade of gray is the middle gray, which is between the green and salmon color: Now, the 50% gray card is the point of reference for the exposure, it needs to fit in the middle of our explosion color chart, which apear at the left side of the screen: Tap the number of LUT you want to have your Log-to-Rec.709 LUT, and tab the folder icon to open the file dialog where you can choose the LUT file to load:ДЄnd you are done, now you are recording C-Log but previewing the image as Rec.709, and over that preview you enable the false color visualization by tapping over the false color icon: In the top of the monitor, tap under вЂњMONвЂќ to open the monitor settings, select the вЂњLUTвЂќ options and then tap the вЂњLUTsвЂќ subtab: Now letвЂ™s copy the Log-to-Rec.709 3D LUT into the monitor disk, in the case of the EOS R is the BT2020_CanonLog-to-BT709_WideDR_65_FF_Ver.2.0.cube file, insert the disk into the Atomos Ninja V, power on the monitor and the camera, connect both, and setup the monitor, and then, in the input tab, in вЂњsourceвЂќ: I also choose a value of 4 in sharpness using C-log and the View Assist on.

#FREE FALSE COLOR PLUGIN 3 1080P#

I choose to record in FHD 1080p in crop mode without any digital image stabilization, it uses the same 4K-UHD sensor area with the same 1.75x relative HFOV crop factor and delivers sharper results.

Ж’/1.8 aperture, but this is my personal choice.Д®OS R video and C-Log settings P.1 EOS R video and C-Log settings P.2.

1/50s shutter speed (the closest to a 1/48 using the 180В° rule).

First, letвЂ™s get the camera settings right, IвЂ™m using the EOS R for this example, so here are my settings:

#FREE FALSE COLOR PLUGIN 3 HOW TO#

Of course youвЂ™ll need first to have your set well lit and ready to go, so lets go to the camera and monitor, the best way to achieve the perfect exposure is using a monitor, donвЂ™t worry if you donвЂ™t have one, IвЂ™ll show you how to expose without a monitor later in this article. Setting-up your camera and using a monitor

The IWLTBAP free false color LUTs, youвЂ™ll love this.

#FREE FALSE COLOR PLUGIN 3 FULL#

An HDMI monitor that has false colors and can load LUTs, I recommend the Atomos Ninja V and if you have extra money, get the full kit.

Your camera Log-to-Rec.709 LUT, in my case i downloaded the вЂњ Canon lookup table Version 201911вЂќ available in the support page, I have also tested the Sony О±7 III and used the Ground Control free Sony S-Log 3 to Rec.709 LUT.

A DSLR/Mirrorless camera that can record in log and better if has HDMI video output, IвЂ™m using the EOS R with EF to RF adapter and the well known Sigma 18вЂ“35mm f/1.8 lens.

Some light source, from a cheap light kit (which I recommend to replace the neon lights with led lights), to a more expensive led light kid, even light from a window if you are producing in a budget.

A gray card, which are cheap on Amazon.The main issue while exposing for log has to do with how each log profile is designed, some log profiles are designed to expose to the left or to the right, and many times depends on what you want to achieve, keep detail in the highlights or the shadows, for this reason some log profiles state that the medium gray should be exposed to a fixed IRE value, but using this technique you can forget about all the technicalities and see the result right in a monitor or in an editing software, so first, what is needed: There are plenty of tutorials online teaching on how to expose video, there are many ways to achieve this, using the camera exposure indicator, the histogram, using luma waveforms on an external monitor, and the most accurate and simple way I have found, using false colors.

Free false color plugin 3